{"id":6338,"date":"2021-04-08T20:06:12","date_gmt":"2021-04-08T20:06:12","guid":{"rendered":"https:\/\/leewayproductions.com\/?p=6338"},"modified":"2021-04-12T13:07:46","modified_gmt":"2021-04-12T13:07:46","slug":"guest-blog-annwen-adams","status":"publish","type":"post","link":"https:\/\/leewayproductions.com\/cy\/guest-blog-annwen-adams\/","title":{"rendered":"Guest Blog: Annwen Adams"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"6338\" class=\"elementor elementor-6338\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2bbb666c elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2bbb666c\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;gradient&quot;,&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2f129237\" data-id=\"2f129237\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-27c7544 elementor-widget elementor-widget-spacer\" data-id=\"27c7544\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-17e1dafa elementor-widget elementor-widget-text-editor\" data-id=\"17e1dafa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><span class=\"highlight\">Accessibility, arts, confidence and wellbeing: Leeway Productions, The Last Five Years<\/span><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2e8cd66b elementor-widget elementor-widget-spacer\" data-id=\"2e8cd66b\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2ff9c65f elementor-widget elementor-widget-heading\" data-id=\"2ff9c65f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A Blog by Annwen Adams, University of Kent<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-754ff2a5 elementor-widget-divider--separator-type-pattern elementor-widget-divider--no-spacing elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"754ff2a5\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\" style=\"--divider-pattern-url: url(&quot;data:image\/svg+xml,%3Csvg xmlns=&#039;http:\/\/www.w3.org\/2000\/svg&#039; 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Leeway\u2019s \u2018diversity confident\u2019 production of\u00a0<em>The Last Five Years<\/em>, is an \u2018artist-led\u2019 performance, which encompasses accessibility and inclusivity from the ground up. Choreographed by Mark Smith, who is deaf, the performance exposes audiences to Smith\u2019s \u2018choreographic language\u2019 which incorporates American and British sign language. Merging production, accessibility and the dynamics of the musical allows the audience, whether hearing-impaired or not, to embrace and envision artistic opportunities for everyone. Leeway\u2019s centralisation of inclusivity represents and reaffirms \u2018disability identities\u2019<a href=\"https:\/\/leewayproductions.wordpress.com\/2019\/03\/23\/accessibility-arts-confidence-and-wellbeing-leeway-productions-the-last-five-years\/#_ftn1\" name=\"_ftnref1\">[1]<\/a>\u00a0(Zhang, 2013), which transcends the social and political prejudices which individuals with disabilities may encounter. As such, Leeway\u2019s \u2018diversity confident\u2019 production allows audiences too to view their \u2018unique attributes\u2019 with confidence and allows a space for physical and mental wellbeing. Combined with student-led workshops, Leeway\u2019s work brings accessibility and inclusivity into the community, promoting interdisciplinary approaches to the theatre and the arts.<\/p><p data-adtags-visited=\"true\">Social experiences of prejudice and discrimination as well as \u2018negative media representations of disability\u2019 (Zhang) can affect the mental wellbeing of people with disabilities. Leeway\u2019s incorporation of positive, non-peripheral representations of sign-language, choreographed language and song deconstructs the binary of spoken and visual language. These deconstructions facilitate the affirmation of identity in hard of hearing and deaf communities, presenting a space in which they are socially included and meaningfully accommodated for. This inclusion was carried on by the student-led workshops where simple signs were taught to the participants and included in tableaus and dance routines. Extending the inclusivity to community-based workshops encourages the discourse of diversity and inclusivity to move further into the realm of the social, shaping how future generations approach issues such as deafness. Describing the embodied experience of theatre, Phil George, chair of the Arts Council Wales, describes the \u2018forming and shaping\u2019 of something felt \u2018internally\u2019, which is transferable to mental wellbeing, disability and prejudice. Allowing young participants to engage with the theatre through confidence building exercises that incorporate different physical or internal perspectives, Leeway\u2019s production facilitates the reimagining of cultural awareness of accessibly in the arts.<\/p><p data-adtags-visited=\"true\"><em>The Last Five years<\/em>\u00a0was performed in several venues throughout Wales, including the Wales Millennium Centre. Leeway\u2019s focus on accessibility and inclusivity negotiates the issues of space and access in its venues, with all sites providing blue badge parking schemes, accessible entrances and bathrooms and sound enhancement facilities. Here the artistic inclusivity encroaches on the social by navigating facilities available to audiences. Ensuring the wellbeing of audience experience perfectly aligns to Leeway\u2019s foundations of positive representations of disability, allowing access to both performers and spectators alike. Leeway\u2019s production of\u00a0<em>The Last Five Years<\/em>\u00a0sets a standard for artistic representations and inclusions which promotes professional and emotional wellbeing that demands a more thorough entanglement of access and the arts.<\/p><p data-adtags-visited=\"true\"><a href=\"https:\/\/leewayproductions.wordpress.com\/2019\/03\/23\/accessibility-arts-confidence-and-wellbeing-leeway-productions-the-last-five-years\/#_ftnref1\" name=\"_ftn1\">[1]<\/a>\u00a0Lingling Zhang, \u2018Consuming Image: How Mass Media Impact the Identity of People with Disabilities\u2019,\u00a0<em>Communication Quarterly<\/em>, Volume 61, Issue 3, p.319.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1f1332f3 elementor-widget elementor-widget-spacer\" data-id=\"1f1332f3\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-5f2d4620\" data-id=\"5f2d4620\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7660e36 elementor-widget elementor-widget-image\" data-id=\"7660e36\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/leewayproductions.com\/wp-content\/uploads\/2021\/04\/thelastfiveyearskirstenmcternan177-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/leewayproductions.com\/wp-content\/uploads\/2021\/04\/thelastfiveyearskirstenmcternan177-1024x683.jpg 1024w, https:\/\/leewayproductions.com\/wp-content\/uploads\/2021\/04\/thelastfiveyearskirstenmcternan177-300x200.jpg 300w, https:\/\/leewayproductions.com\/wp-content\/uploads\/2021\/04\/thelastfiveyearskirstenmcternan177-768x512.jpg 768w, https:\/\/leewayproductions.com\/wp-content\/uploads\/2021\/04\/thelastfiveyearskirstenmcternan177.jpg 1400w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Accessibility, arts, confidence and wellbeing: Leeway Productions, The Last Five Years<\/p>","protected":false},"author":4,"featured_media":6339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.4 - 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